Emmy Wish List: Series

It's all been leading up to this! I complete my Emmy Wish List with this year's best shows on television. These comedies and dramas are unlike anything else on TV. They utilize fantastic actors to create unique characters with their genius writing. Every element is in the right place. These shows are the reason I love television so much.

Outstanding Comedy Series


30 Rock - Anyone who says that this was a bad year for 30 Rock clearly stopped watching about halfway through the season. "Dealbreakers Talk Show #0001," "Anna Howard Shaw Day," "Lee Marvin vs. Derek Jeter," and "The Moms" were some of the show's greatest episodes. Despite a rush of strong comedy newcomers, the series was able to maintain the level of greatness it's established the past three years.

Better Off Ted - Never heard of it? That's too bad. But it's probably because Ted was barely noticed while it was on the air. The ridiculous workplace comedy makes me laugh more than any other show on this list and features a hilarious ensemble, including Jay Harrington, Portia De Rossi, and Jonathan Slavin (who unfortunately didn't submit himself for Emmy consideration).

Glee - To be quite honest, this season's most hyped comedy almost didn't make my list. The writing is inconsistent, the characters are flat, and the continuity is nonexistent. The freshman series had a whole slew of problems with its first season that I will most likely save for another blog post. But when Glee is good, it's great. The show's best episodes deliver with strong comedy, touching drama, and fun musical numbers. No other show on television can do the same.

Modern Family - This year's best new show may also be the best comedy of the year. Many have claimed that Modern Family redefined the traditional family sitcom and brought it to the 21st century. There isn't a single weak link in the show's large ensemble cast, and sub-par episodes were few and far between.

Parks & Recreation - Parks surprised everyone by becoming one of this year's funniest shows. It surpassed The Office this season in terms of quality and comedy. As the second season progressed, the characters began to take form, and comedic stars like Nick Offerman and Aubrey Plaza were born.

Ugly Betty - The series experienced a creative resurgence during its fourth and final season. Betty has always been a little different, but that's what makes it so great. The series ended on a high note with several strong episodes that left me in tears week after week.

Honorable Mention: Party Down & The United States of Tara

Outstanding Drama Series


Breaking Bad - As I've said several times, I haven't gotten to see season three, so Breaking Bad's inclusion on my list may be a bit premature. But the first two seasons are incredible, and apparently the show just keeps getting better. Even if season three was half the quality of season two, it would still earn a spot here.

Damages - No season can match its first, but the legal thriller is still amazing. With time jumps and plot twists like nothing else on television, Damages knows how to deliver drama. Plus, it doesn't hurt to have incredible actresses like Glenn Close and Rose Byrne headlining the series with Lily Tomlin and Martin Short as guest stars.

Friday Night Lights - Only nine episodes have aired so far on NBC, but I can already tell that season four is my favorite season since the first. The move to East Dillon High was a refreshing change that the show needed. Kyle Chandler, Connie Britton, and the rest of the cast continue to deliver with the intense realism they've had for three years.

Lost - The final season didn't give all of the mythological answers viewers were looking for, but the show's final two and a half hours were emotionally satisfying. The series became less about science fiction and mysteries and more about the characters and the love they experienced with one another.

Mad Men - Just when we thought the two-time Emmy-winning series couldn't get any better, season three delivered drama on a completely different level than the years before. Jon Hamm and January Jones gave their best performances of the series, and the writing (as well as everything else) was truly excellent. It's hard to imagine anything else topping that.

Parenthood - When casting Peter Krause and Lauren Graham, it's hard to go wrong. This Spring's new show gave an interesting look into family life and found an amazing actress in the young Mae Whitman. The series has the potential to do great things in the years to come.

Honorable Mention: Southland & Big Love

Coming Soon: My predictions for the 2010 Emmy nominations!

Currently watching:
Six Feet Under Season 3
Episode 9 - The Opening

Emmy Wish List: Supporting Actor

There are so many different options when it comes to supporting roles. Yet, one show from each respective genre dominates half of these two categories on my ballot. Supporting Actor in a Comedy was without a doubt the hardest list to create (many thanks to the cast of Modern Family, who completely screwed me over by refusing to submit as leads). Great arguments could be made for almost 20 different actors. Ensemble comedies like Modern Family, Parks & Recreation, and Party Down offer several competitors. Chris Colfer (Glee), Mark Indelicato (Ugly Betty), and Keir Gilchrist (United States of Tara) all gave touching portrayals of three (very different) gay teens, but I felt they weren't comedic enough to compete against their funnier peers. Then past nominees such as Neil Patrick Harris (How I Met Your Mother) and Tracy Morgan (30 Rock) got overshadowed by an influx of hilarious newcomers. And my list of contenders doesn't even include the much-praised supporting actors from Community, Cougar Town, and Nurse Jackie (I feel like a broken record at this point)! Unfortunately, the academy only allows six nominees (seven, if there's a tie). Ted Danson (Bored to Death) was definitely the toughest omission from my top six, and I'm still not entirely convinced that I made the right decision. But my list doesn't matter anyway!

Outstanding Supporting Actor in a Comedy Series


Aziz Ansari, Parks & Recreation - Ansari's Tom was my favorite part of season one. Season two gave the actors the chance to become more comfortable in their characters' skin, and Chris Pratt and Nick Offerman, as well as a few others, emerged as new comedic delights for the series. Still, Ansari was able to keep up with his costars as the dim-witted, wannabe ladies' man.

Ty Burrell, Modern Family - Phil Dunphy may not be that bright, but Burrell is a brilliant comedic actor. He's the shows most quotable character (which is saying a lot) and also its most lovable. Burrell portrays the dullness so well and plays off of his costars (especially Julie Bowen) excellently.

Nick Offerman, Parks & Recreation - RON EFFING SWANSON! He hates government. He loves breakfast foods. He is hilarious. Ron Swanson was the breakout character of this season, and Offerman has already begun to earn some recognition in the form of a Television Critics Association nomination.

Rico Rodriguez, Modern Family - He may be young, but that doesn't mean he can't be one of the funniest actors on television. Much like Manny (who acts like a 50-year-old man), Rodriguez seems to have the comedic ability of someone three times his age. The child actor deserves to be recognized alongside the older and well-respected comedians.

Eric Stonestreet, Modern Family - This straight actor plays probably the most over-the-top flamboyant gay man on television. Yet Cam is real. And he's hilarious. Nobody else could pull it off like Stonestreet, and he consistently inspires the most laughter on Modern Family.

Michael Urie, Ugly Betty - Though he is arguably the least "comedic" of the six, Urie did a fantastic job in his final season as Marc St. James. He had several heart-warming moments connected to Justin's coming out story but still kept the laughs coming with costar Becki Newton.

Honorable Mention: Ted Danson, Bored to Death and Chris Colfer, Glee

Outstanding Supporting Actor in a Drama Series


Michael Emerson, Lost - Last year, he finally won the Emmy he deserved. This year, he continued his tradition of excellence as the eerie Benjamin Linus. Though this season did not showcase his talent as much as previous seasons have, Emerson still delivered, especially in the always great Ben-centric episodes.

Josh Holloway, Lost - Sawyer is arguably the character who has experienced the most growth throughout the series. He went from an angry con man to the loving head of security to the man who lost the love of his life. He had several strong moments this season (most of which were with the fabulous Elizabeth Mitchell), and the series finale's most emotional scene was his reunion with Juliet.

Terry O'Quinn, Lost - Last season the man of faith transformed into the villain of the entire series. This season, whether he was playing John Locke or the Man in Black/Smoke Monster, O'Quinn gave one of the best performances of the year. The flash-sideways world gave him the opportunity to portray the goodness of Locke against the intense evil of the monster.

Aaron Paul, Breaking Bad - Since I just finished watching the first two seasons earlier this summer, I have not yet gotten to see the third (and Emmy-eligible) season of Breaking Bad. But what I have seen is absolute greatness. Paul's Jessie unexpectedly became my favorite character on the show, mainly because of his captivating performance. And from what I've heard, season three just gets better.

Martin Short, Damages - I would never have expected Short to appear on a list of dramatic actors, but his work on the third season of Damages has earned him a spot. The comedian displayed his range as the lawyer opposing Patty Hewes with a story as twisted as the series. Throughout the season his character grew and Short showed great depth as more of that story became exposed.

John Slattery, Mad Men - Roger Sterling gets some of the best lines on the show. But it's not just the writing that makes them so great. Slattery steals every scene and makes it his own. He may not be the show's most dramatic actor, but he fills a necessary role in the series and does it exceptionally well.

Honorable Mention: Michael Cudlitz, Southland and Matthew Rhys, Brothers & Sisters

Coming Soon: My picks for the lead comedy roles

Currently watching:
Six Feet Under Season 3
Episode 1 - Perfect Circles

Emmy Wish List: Supporting Actress

I love my supporting actresses, so making this list proved to be more difficult than I had anticipated. There are several names that it pains me to leave off, but I could not deny the talent that these twelve women possess. My inability to remain interested in Community, Cougar Town, and Nurse Jackie also caused the absence of a few fan favorites (Alison Brie, Busy Phillips, Merritt Wever, etc.). Though the women on this list may not be the leads of their shows, they certainly are the stars that make us laugh and cry the most.

Outstanding Supporting Actress in a Comedy Series


Lizzy Caplan, Party Down - Best know for her roles in Mean Girls and True Blood, Caplan does her best work as a struggling comedian working at a catering company. She may not be as over-the-top as her cast mates, but her character is genuine and truly funny. "Party Down Company Picnic" and the season finale stick out as her strongest episodes.

Jane Krakowski, 30 Rock - Krakowski's neurotic, narcissistic Jenna never fails to crack me up. This season had her doing great work with James Franco, Jan Hooks as her mother, and Will Forte as a drag queen. As long as 3o Rock is on the air, Jenna's craziness will always keep me laughing.

Jane Lynch, Glee - Believe it or not, Lynch has been on the scene for quite a while. Her role as the scathing Sue Sylvester has finally made her a household name. Week after week she delivers the show's greatest moments in a single line. I may not particularly enjoy Glee's attempts to humanize Sue, but Lynch's performance perfects the balance of evil and human.

Megan Mullally, Party Down - I recently read a critic's blog that described Mullally's performance on Party Down as the worst on the show. I must say that I strongly disagree. She fit perfectly into the group this season as Jane Lynch's replacement and usually makes me laugh the most each episode. Whether she's sexually pursuing a party guest, accidentally snorting cocaine, or supporting her daughter's acting career, Mullally is constantly hilarious.

Sofia Vergara, Modern Family - This year's funniest new show will be a strong contender in several categories. Vergara wields a thick accent and a great sense of comedic timing. She doesn't let the strong male cast overshadow her, and her talent truly shines.

Vanessa Williams, Ugly Betty - Like Sue Sylvester, Williams plays a great villain whose best weapon is the one-liner. In fact, some of Wilhelmina Slater's best moments involve only a simple glare or raise of the eyebrow. An Emmy would be the perfect reward for four years of great work on an amazing television program.

Honorable Mention: Elizabeth Perkins, Weeds and Aubrey Plaza, Parks & Recreation

Outstanding Supporting Actress in a Drama Series


Morena Baccarin, V - There's a strong possibility that all of my other picks for this category will earn actual nominations. Unfortunately the same fate is not likely for Baccarin. I chose her because she showed such a great transformation in Anna, the alien queen, as she began to experience human emotion. She exhibits such alien-like qualities that it's hard to believe she's actually human.

Rose Byrne, Damages - Byrne has done a fantastic job for three seasons. She is able to hold her own and showcases herself alongside her talented costar, Glenn Close. Though I believe last season was her strongest, Byrne continued to deliver superb work in what is arguably the lead role on Damages.

Elisabeth Moss, Mad Men - Moving from lead actress to supporting was a smart decision. If she had remained in the lead category, I most likely would not have included Moss in my list. Though seasons one and two focused quite a big on Peggy and her journey through the ad agency, the fantastic third season centered around the Draper family as it fell apart. Moss executed her supporting role exceptionally well and continued to perform excellently in scenes with Jon Hamm and the other men.

Sandra Oh, Grey's Anatomy - The series has certainly dwindled in quality, but Oh's talent keeps increasing. This season was her strongest yet as she delivered episode after episode the most consistent performance on the show. It's stunning that despite being nominated for every season of Grey's, she has never actually won an Emmy.

Chloë Sevigny, Big Love - Say what you want about the fourth season of Big Love, but it's still one of best-acted dramas on television. It's strength lies with its women. Though Ginnifer Goodwin continues to give an excellent performance each year, Sevigny pulled through this rougher season as the star. She took Nicki, my least favorite of Bill's three wives, and made made her my favorite character of the entire series.

Chandra Wilson, Grey's Anatomy - Originally Oh was the only Grey's actress to earn a spot on my ballot. After the intense two hour season finale, it was impossible to omit Wilson. For years, she has given one of the best performances on the show. In that finale she gave the performance of her lifetime as the strong and secure Dr. Baily that we all know and love quaked in fear from a shooter and watched one of her doctors die.

Honorable Mention: Mae Whitman, Parenthood & Amy Brenneman, Private Practice

Coming Soon: My picks for Outstanding Supporting Actors

Currently watching:
Six Feet Under Season 1
Episode 8 - Crossroads

Emmy Wish List: Writing

This is the first year that I've actually taken a close look at the Emmy submissions for writing, and it's interesting to see what epsiodes different shows submit for consideration. For example, Big Love submitted "Blood Atonement," the controversial Mexico episode that was the most prominent example of the show's weakness in its fourth season. Then The Office throws out "Scott's Tots" for consideration, which, in my opinion, may be the worst episode the series has ever aired. When selecting my favorites for the two categories, it pretty much came down to the episodes this TV season that stuck out in my mind the most. Unfortunately, a competitive comedy writing category prevented more than one episode of 3o Rock from making my list, but the one that did make the cut is certainly a standout even among a great season. The comedic strength this year also did not allow better episodes of The Big Bang Theory ("The Adhesive Duck Deficiency") and How I Met Your Mother ("The Playbook") to enter the category, because they come from weaker seasons that were unable to measure up to more powerful newcomers. My only regret is that there was no room for The United States of Tara's "Torando" or an episode from the hilarious second season of Parks & Recreation on my list. Also, it should be noted that I have not seen the fourth seasons of Dexter and Friday Night Lights or the third season of Breaking Bad, hence their absence from this list.

Outstanding Writing for a Comedy Series

Glee, "Pilot" (Ryan Murhpy, Brad Falchuk, Ian Brennan) - Glee has had its ups and downs in its first season, but it started off on the right foot. The pilot episode revealed the heart of the show, entertained us with exciting musical numbers, and introduced us to Sue Sylvester. Only a few episodes have been able to surpass the quality of the very first.

Modern Family, "Pilot" (Steven Levitan, Christopher Lloyd) - It was either this or "Fizbo." I decided on the pilot episode because I've seen it at least three times, and I still laugh in all the right places. From the very beginning Modern Family has proven that it's just as funny (if not funnier) than comedy champs 30 Rock and The Office.

The Office, "Niagara" (Greg Daniels, Mindy Kaling) - I'm not just including this episode because I would love to hear the phrase "Emmy winner Mindy Kaling" in more than just my dreams. The hour-long wedding episode was the one highlight from the worst season The Office has ever endured. This great episode reminds us of everything we love about this show, even though it was part of such a poor season.

30 Rock, "Anna Howard Shaw Day" (Matt Hubbard) - I almost included the Tina Fey-penned "Lee Marvin Vs. Derek Jeter" but decided that although I have an undying love for Tina, this was a funnier episode. This Valentine's Day special had me laughing from beginning to end and sticks out as one of my favorite 30 Rock episodes of all time.

Ugly Betty, "Hello Goodbye" (Silvio Horta) - This is probably the only atypical spot on my ballot. All of the other episodes/series have a chance of getting noticed, while Ugly Betty will go unrewarded. Unfortunately, the series finale ("Hello Goodbye") was not even the creatively resurged fourth season's strongest episode, but I would still consider it one of the best. It tied together several dangling plot lines and the brought forth the laughter and emotions that one can expect from Betty. Afterward I felt emotionally satisfied but realized I was going to miss this show very much.

Outstanding Writing for a Drama Series

Damages, "The Next One's Gonna Go In Your Throat" (Todd Kessler, Glenn Kessler, Daniel Zelman) - Damages finales are usually the best episode of the season, and the third season was no exception. As always, the future and present stories came together and solved the mysteries with several shocking twists along the way. The fact that this may be the last episode of Damages ever is upsetting, but at least the series went out with a bang.

Grey's Anatomy, "Sanctuary" (Shonda Rhimes) - No matter how much any given season of Grey's Anatomy disappoints its viewers, Shonda Rhimes never fails to deliver on her finales. This finale especially. It was probably the most intense two hours of my life; I sat on the edge of my seat and was shaking the entire time as many characters' lives hung in the balance. Definitely the best finale of the year that had everyone (even non-Grey's viewers) talking.

Lost, "The Substitute" (Elizabeth Sarnoff, Melinda Hsu Taylor) - The series finale was too divisive to make my list. Though it delivered emotionally, "The End" lacked several mythological details that fans desired. Instead, I included "The Substitute," which was probably my favorite episode of the show's final season. Locke-centric episodes ("Walkabout" for example) are always among the strongest in any season. This episode revealed the secret behind The Numbers and showed an interesting juxtaposition of the on-island and off-island forms of John Locke.

Mad Men, "Shut the Door. Have a Seat." (Matthew Weiner, Erin Levy) - Mad Men is the only series to earn multiple spots on my list, and it's deservedly so. The third season surpassed all high expectations and produced one of the strongest dramatic seasons I have ever seen. All the drama came to a head in the season finale when Betty left Don, and Don created his own advertising agency. It left us all wanting more and eagerly anticipating season four.

Mad Men, "The Gypsy and the Hobo" (Marti Noxon, Cathryn Humphris, Matthew Weiner) - Without a doubt, this was the best episode of the season. Jon Hamm and January Jones delivered the performances of their lifetimes. And of course there was the infamous incident of Joan and the vase...

Coming Soon: My picks for the Guest Acting categories

Currently watching:
Breaking Bad Season 1
Episode 4 - Cancer Man